mid-1990 Deborah left a corporate career in strategic planning to work as a
full time painter. A recent exhibit, sponsored by the 142 Throckmorton
Theatre was an opportunity to view her development over the past 10 years;
first as a plein air landscape painter, then painting portraits of farm
animals, and finally, her recent move to abstraction.
Her teachers over these years, mainly in private lessons, have been Chester
Arnold, Paul Bridenbaugh, Stanley Goldstein, Randall Sexton and Barry McCuan.
Her private and group events
include: a Retrospective at the Throckmorton Theatre, the NIOCON Designer
Show Chicago; Sausalito Women’s Clubs Salon, 2001 and 2005; MarinScapes
(annually) (Kentfield, CA); the Redding Museum of Art and History, Falkirk
Gallery, San Rafael, CA; The Design Show – Las Vegas; the Bolinas Museum
(mini-show) and SFMOMA Artists Gallery. She exhibits in galleries in
California, New Mexico, Oregon, and Tennessee.
Artist's Statement -
“I began as a traditional plein
air painter and continue with my great love of this genre. My strength and
natural gift is in my use of color and I find this talent most satisfying
and always evolving. I also have a lifelong love of nature, and have become
an astute observer. In the last few years I have painted in New Mexico,
Italy, and France.
My farm animal portraits
represent another important area of endeavor. Animals are chosen for their
individuality of expression. I photograph each of them and then use the
photos to paint in my studio. I am deeply interested in the value of
connection between humans and animals and explore this theme in these
Finally, in recent months I have
been painting abstractions almost exclusively. The change was surprisingly
abrupt and seemed connected to two accidents in which I was involved
resulting in significant, (though temporary) physical limitations. This has
been an interesting phase for me. The quality of the painting experience has
changed markedly; my intellect is far less involved and I am in a space that
I have not previously experienced. I seem to know things that I did not know
I knew; the painting comes without my interruption.
I am trying to figure out what
might connect all of these works made over the last ten years. I think it is
my personal take on color that is always present. And interestingly, this is
the one thing about my art and craft that I did not have to learn from
As I slowly return to my usual
eclectic approach to subject matter, I find that in all of my work I am more
confident, and less governed by the left hand side of my brain.